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Luis Benitez [Argentina]

 


 
Last night someone cut down a tree that was three thousand years old
 
Last night, someone cut down a tree
that was three thousand years old,
standing tall over the field.
In the night, its pieces burned,
warming the frozen men,
and in the mist, the glow
marked the site of its death,
the same as its long life,
the same as its brief bonfire.
 
Yesterday, its shadow
stretched to the distant house,
crossed the creek that was not there
when it first emerged.
Today, a pit with dangling roots,
fragments of branches and bark,
marks where its powerful sap
flourished through the centuries.
 
In its crown, animals that no longer exist
nested,
and under its branches,
infinite storms erupted.
Its high arms
rose from among the low clouds.
Between its roots,
our ancestors
hid from the beasts,
and later,
treasures were hidden,
love letters,
stolen objects,
and someone carved
with a pocketknife
words that cannot be read.
 
Last night, someone cut down a tree
that was three thousand years old,
standing tall over the world.
 
(Translated by Araceli del Luján Lacore)
 
 
Ants
 
This living path
crossing the garden
comes from a land
that isn’t ours
though we constantly
traverse the surface of another kingdom.
We know nothing of its tiny jungles
the desolate desert of a tile
the fleeting waterfall of an open tap
the consecutive holes a staircase unfolds.
Below and around us
another infinite world lives.
It disturbs us that this domain
resembles so closely to what we see
from the window of the twentieth floor
far below and at our feet;
murderers heroes and villains
have their time and occupy their spaces
in a manner we consider mechanical.
The meaning of those days so different
is an enigma,
we quickly dismiss it
so we feel terrified
when we watch a child
paying the ants
his deepest attention:
he’ll forget as he grows the times
he fixed his eyes on a different kingdom
though our kingdoms
began on the same day
 
(Translated by Araceli del Luján Lacore)
 
 
Haute couture
 
There’s no worse profession
than being a fashion designer
who decrees
that for this season
the length of verses
must reach the knee
or fall to the ankles.
Their sour mannequins then parade
across every available runway
resembling oversized strawberries
a massive salmon
teetering on huge high heels
or absurd pots flipped upside down
ready for the promised applause
of the repetitive
tedious news.
Whether the “how” should be half-naked
or if it’s proper to show the “what ”
their creators assure that if invited
Homer and T.S. Eliot would say ‘’It’s fine’’
and nearly no one would hesitate to agree.
In every matter the edict of fashion
is the worst thing in this world.
 
(Translated by Araceli del Luján Lacore)
 

Author’s Bionote:
 
*Luis Benítez was born in Buenos Aires, Argentina (1956). His 45 books of poetry, essays and fiction have been published in Argentina, Chile, France, Italy, Mexico, Romania, Spain, Sweden, Venezuela, UK, USA and Uruguay. According to the London-based “Ars Notoria Magazine”, he is considered one of the most prominent voices in contemporary Argentine poetry and a leading figure in the genre throughout Latin America. Among other awards, his literary work has received La Porte des Poètes International Poetry Prize, Paris, France, 1991; Fortabat Foundation Poetry Award, Buenos Aires, Argentina, 1996; Tuscolorum di Poesia Prize, Sicily, Italy, 1996; Letras de Oro Prize, Buenos Aires, 2003; Accesit 10éme. Concours International de Poésie, Paris, 2003; “Macedonio Palomino” International Prize for Published Works. Aguascalientes, Mexico, 2007; International Best Poets & Translators Prize, awarded by The International Poetry Translation and Research Centre, The Journal of Rendition of International Poetry [Multilingual], and The Board of Directors of World Union of Poetry Magazines, Chongqing, People's Republic of China, 2024, and American Poet of the Year Award, awarded by the United Nations World Silk Road Forum and the Silk Road International Federation, Dubai, United Arab Emirates, 2025.

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